Friday 14 and Saturday 15 September 2018, Kings College London, Strand Campus

Day 1, Keynote and Screening with Jennifer Doyle, 14 September, 7:00 PM – 9:00 PM, Nash Lecture Theatre

Day 2, Papers, Workshops, and Performances, 15 September, 10:00 AM – 6:00 PM, Anatomy Museum. Reception to follow.

Organized by Broderick D.V. Chow (Brunel University London), the Dynamic Tensions: A Research Network for Theatre, Performance, Sport, and Physical Culture, and the Kings College London Arts and Humanities Research Institute. Supported by the Arts and Humanities Research Council and Brunel University London.

Call for Proposals: Papers, Provocations, Performances, Workshops (Deadline 2 July 2018)

“It is fundamentally wrong to pay more attention to the dead weight lifted, than to the living body that lifts it” — George Hackenschmidt, wrestler, physical culturist, performer and philosopher, Vienna, 1925.

At the centre of both sport and cultural performance are bodies. In the spectacles of professional or amateur sport, plays, musicals, dance, and opera, bodies are made to transcend their fleshly existence by the mise-en-scène and the audience contract. The (sport) spectacle transforms the embodied subject of the athlete/actor into a representation of human potential and possibility. At the same time, bodies are the primary medium, material, tool, and commodity of the spectacle: they are circulated, exploited, bloodied, bruised, and torn apart. This spectacularization/exploitation of the body’s potentiality intersects with other embodied racialized, gendered, and sexual experiences and identities.

What is at stake in spectacularising bodies? What are the consequences of the body’s participation in a spectacular regime of labour, circulation, and performance? How might the body resist its spectacularization through gesture, movement, or stillness?

This interdisciplinary conference aims to work with existing and potential intersections in theatre, performance, and sport research to explore these questions of the body in the spectacle of sport, athletics, and performance. Previous events and networks have begun to mine this rich seam of interdisciplinary research, including the Fields of Vision research network on sport and the arts (https://artsinsport.wordpress.com/), At Leisure: Amateur Sport and Performance (QMUL, 2014), and the theme for the North American Society for Sociology of Sport’s upcoming 2018 annual conference: Sport Soundtrack: Sport, Music, and Culture. In theatre and performance studies, sport has long been influential to theory and practice; and a number of contemporary live artists and theatre makers have built on this history by drawing on athletic practices in their work (Cassils’ Becoming an Image, PanicLab’s Rite of Spring, Amber Hawk Swanson’s Online Comments + CrossFit). Sport / Spectacle aims to build upon this fertile ground by interdisciplinary and collaborative research in performance and sport. In particular, it aims to encourage innovative and especially embodied research methods (such as autoethnography and artistic Practice-as-Research).

We welcome proposals for traditional (15-20 minute) papers, shorter (5-10 minute) provocations, workshop activities, lecture-demonstrations, performances, and other presentation forms that may not necessarily fit into the categories above. Possible themes and topics might include (but are not limited to):

  • The economies of spectacularised bodies: how do bodies circulate, labour, reproduce?
  • Professional, trained, and amateur bodies
  • Gendered, racialised, queer identities in the sport-spectacle
  • The mise-en-scène of sport
  • Athletic practices in theatre, live art, dance, and other cultural performance
  • Mass spectacles of bodies; mass sporting events
  • Embodied labour across sport, theatre, dance, and performance: how is human labour highlighted or hidden?
  • Embodied activism and performance; gestures of resistance
  • Everyday spectacle in sport: training, gyms, etc
  • Aesthetic sports: gymnastics, bodybuilding, figure skating
  • Professional wrestling and liminal spaces between sport and theatricality
  • Theatricality and performance as critical lenses for sport research

The conference will open on the evening of Friday, 14 September 2018 with a keynote presentation from Jennifer Doyle, Professor of English, University of California, Riverside, followed by a programme of video art that Professor Doyle has curated. In 2013, Jennifer Doyle started research into the “Athletic Turn”, which explores the recent and extensive turn toward sports in contemporary art and performance. She is the author of Campus Sex/Campus SecurityHold It Against Me: Difficulty and Emotion in Contemporary Art and Sex Objects: Art and the Dialectics of Desire. She was the 2013-2014 Fulbright Distinguished Chair at the Research Centre for Transnational Art, Identity and Nation at the University of the Arts, London, and editor of The Athletic Issue, a special issue of the journal GLQ.  In 2010, she co-hosted The People’s Game, a World Cup daily podcast for KPFK in Los Angeles; in 2011 she wrote a series of articles on women’s soccer for Fox Soccer’s website.

Please send 300-word proposals for 20-minute papers or alternative proposals, along with a short biography, to the conference convenors at the following address: dynamictensions@gmail.com. Deadline: 2 July 2018. We will notify authors of abstract acceptance by 20 July 2018.

Eight travel bursaries of £50 are available for post-graduate students, adjunct/temporary faculty, and independent scholars and artists to aid participation in the conference. Please indicate on your proposal whether you would like to be considered for the bursary, and under which category you are applying.