Peer Reviewed Journal Articles

Broderick D.V. Chow, ‘A Professional Body: Remembering, Repeating and Working Out Masculinities in fin-de-siècle physical culture’, Performance Research 20:5, pp. 30-41, http://dx.doi.org/10.1080/13528165.2015.1095910

Broderick D.V. Chow and Eero Laine, ‘Audience Affirmation and the Labour of Professional Wrestling’, Performance Research 19: 2 (2014), pp. 44-53, http://dx.doi.org/10.1080/13528165.2014.928516

Broderick D.V. Chow, ‘Work and Shoot: Professional Wrestling and Embodied Politics’, TDR: The Drama Review 58: 2 (2014), pp. 72-86, http://dx.doi.org/10.1162/DRAM_a_00347

Broderick D.V. Chow, ‘Time + Materials: Choreographic Experiments with Labour and Finance in The Dangerologists’ Work Songs’, Choreographic Practices 4: 1 (2013), pp. 75-94, http://dx.doi.org/10.1386/chor.4.1.75_1

Broderick D.V. Chow, ‘Parkour and the critique of ideology’, Journal of Dance and Somatic Practices. 2: 2 (2011), pp. 141-152, http://dx.doi.org/10.1386/jdsp.2.2.143_1

Edited Collections

Broderick D.V. Chow, Eero Laine, and Claire Warden (eds), Performance and Professional Wrestling (London: Routledge, 2016). 

Book Chapters

Broderick D.V. Chow, ‘Parterre: Olympic Wrestling, National Identities, and the Performance of Antagonism’ in Tony Fisher and Eve Katsouraki (eds), Performing Antagonisms (London: Palgrave Macmillan) (forthcoming, in press).

Broderick D.V. Chow, ‘Muscle-Memory: Re-enacting the fin-de-siècle strongman in pro wrestling’, in Broderick D.V. Chow, Eero Laine, and Claire Warden (eds), Performance and Professional Wrestling (London: Routledge, 2016), pp. 143-153.

Performance

Broderick D.V. Chow and Tom Wells, Work Songs, 2011-2013. Documentation Available at: https://vimeo.com/59583569